In Jelling the Danish history is visible layer by layer of continuous activity, all the way back to the earliest of days – some layers still intact while others transformed, reused or moved and others still completely removed. In the community planning these elements are looked upon as references and for inspiration – Jellinge is a place of dynamic development and not the status quo.
The rocks are in fact just blocks of granite – its the carved signs on them that give the symbolic value far greater than the mere impression of them. They occupy both a greater physical and metaphysical space – their stories of the place, the people and the land. The aura of the rocks is charged with symbols that will bring wonder and enthusiasm to generations to come – it would be unique and bind together the history with the present and point towards the future. The aura, with its artistic expression, places a new layer on top of the already existing ones and hint towards the past use of colour to enhance the stones´ message. It plays with the changing light of the different seasons.
The smallest rock, which is not in its original position, is in great danger of deteriorating. The archeological advice is therefore to bring it inside a climatized building to prevent further deterioration. The bigger rock, in better condition, is placed under a glass canopy, naturally ventilated but weather protected. These are the simplest measures to provide the necessary protection while still keep the integrity of the monument site.
All sides of the stone areclearly visible, and you can get in close to see the detail. The climatized screen protects against contact and vandalism. The screen is open and naturally ventilated so that there will be no condensation problems. Rainwater is handled through the construction foundation ring that runs along the glass canopy sides. The entire screen is produced off-site and lifted in place in one move, thus removing danger from operation processes on site close to the stones.
Throughout the development of the concept the main focus has been to reduce the CO2-emissions as much as possible. From critically evaluating the actual needs, through form- and construction optimalization, material / reuseability / lifecycle evaluations and product optimalization to energy supply and efficient lighting, the goal has been continuous monitoring and reducing the CO2 footprint. As the diagram shows, a significant reduction can be reached by making the right choices.
In an established summer housing area, the summer house occupies a gently sloping site. Surrounded by pine trees and a heather field with rocks, the landscape flows through the house. In the east /west direction the summer house shelters from external views and the low sunlight. It balances on the edge of a small cliff, with rich vegetation growing up from the cove underneath.
The composition of the house is fragmented, with several volumes of various sizes creating the bathroom, bedrooms and living area. The biggest volume contains the living area and kitchen, and the landscape opens up through the space to connect the inside with the outside. The different volumes create space for sheltered privatized outdoor activities, such as a shower and a suspended sleeping net.
The slightly tilted roofs are designed to bring as much light as possible to the outdoor areas closest to the building, and also to be usable surfaces to reach up in the cooler air. The materials used is basically all of wooden origin, untreated, even the roof cladding, to minimize the environmental impact.
