Rehabilitation of Rjukan Torg

R site planThe open competition to redesign the town square of Rjukan, to welcome the new sun reflectors rays that gives the Rjukan inhabitants a glimpse of the sun during the 6 months in the shadows throughout winter, was held in march 2013. With approximately 100 participants, the competition attracted a wide range of nordic proposals.

R planThe main composition includes the transformation of the upper and lower squares, and an elaboration of the green field inbetween including the sun receptor (an activity sculpture) and down to the lower square as an amphi theatre. On the other side of the lower square, out into the river landscape, there is a new world heritage museum, thus activating the 4th side of the extended Rjukan torg. The field of green also extends out onto the roof of the museum as a belvedere in the same river landscape, and with a ramp it connects down to the lower square. The museum and ramp encloses the lower square, making a suitable stage for performances and concerts, together with a distinct entrypoint to the museum. Stretching from the upper square all the way down to the Måna river is a water passage, linking the new elements together.

R plan minThe green activity field is designed as a small hill-top, where the sun receptor is placed, giving it the most prominent position in the composition of squares. The light-and-activity sculpture is drawn away from the town square to keep the square surface a flexible space for both market days, festivals and other events. The sun receptor casts shadows, can be used both as a playground and a stage, flexible and changeable.

R overviewThe upper square is stretched over the main road all the way up to the commerce street in Rjukan, thus creating better accessibility accross the main road passing through the square. New buss stops are located directly on the square, thus giving pedestrians priority over vehicles. To further underline the switch in priority, the water passage starts as a water crossing with cobblestones on the road, to reduce the speed of cars. The water passage runs all the way to the Måna river, including stone bridges, a small waterfall inspired by the

R sun receptorThe square is left mainly untouched, except for two stone carpets separating the entrance zones of the town hall and library buildings towards the center of the square. The stone carpets are multifunctional elements; for sitting, climbing, laying down and even skating. The carpets undulates to open for passages across from the square to the buildings where this is necessary.

R stone carpetsAcross the square there is also drawn a guiding line with technical infrastructure which binds together the commerce street with the receptor. At the commerce street end of the guiding line there is a miniature light sculpture to invite people in main street down to the town square.

R amphi theatreThe existing lower square is separated from the upper square by a small slope, which is transformed to an amphi theatre with the lower square as its stage. The lower square is transformed to a shared space, with occasional parking but at special events closed off as pedestrian space. The water passage widens at the end of a small waterfall at the entrance of the new world heritage museum. Her Sam Eyde finds his new place.

R water passageThe water passage is integrated in the museum design and continues all the way across the Måna pedestrian trail down to the Måna river. The museum is divided intwo levels – an upper level with the entrance from the square, closed towards the river but opens up parallel to the river – and a lower level at the same hight as the Måna pedestrian trail, opening up towards the river. The entrance level also includes a westerly oriented café / restaurant.

R museum

Serlachius Gösta Museum

In march 2011 I participated in the Serlachius Gösta Museum Extension Competition, along with 578 other participants from 41 countries all over the world. The interest in the competition was enormous, so imagine the surprise when I got notification that I had received an honourable mention and was invited to Finland for the awards seremony and exhibition opening.

On june 22nd I therefore went to the regional town of Mänttä in the lake district of Finland for the awards ceremony, together with the other awarded participants of the competition. There was a good mix of european participants present, including the winners and other prized entries from respectively spain (MX_SI), Finland (Heikkinen Komonen) and Germany (Magma Architecture). Surprisingly many of the honorable mentions had found time to participate in the ceremony, probably due to the extreme amount of entries.

My proposal differed, in how it approached the site, from all other proposals. Leaving the iconic manor house and the hill on which it stands untouched, the museum extention rather focuses on creating new attractive space towards the water, entrenched in the landscape.

SOS_serlachius_plan

The only two objects standing out and rises one storey high into the park landscape are the higher main exhibition / conference halls, thus refering in size to the manor house and not outscaling it. The lower exhibition spaces extends onto a sunny lakeside sculpture garden and restaurant, and by digging into the landscape offers a continuously extended park on the roof of the complex.

Motto 13003 Tønder

T from SVAs a bastion, the new extension to the Tønder town hall contrasts to the long and sleek shape of the original building. Its rising shape recalls the long gone castle, which stood on the ajacent site. The town hall auditorium lifts its roof as a gesture towards the town – likewise the new extension rises as a bigger gesture towards the marsk – the wetlands reaching out towards the sea. As a beacon the new town hall oversees the marsk.

T siteplan and conceptThe offices are divided between single / double offices along the facade, collective workspaces on the cascading bridges spanning the open indoor courtyard, and multispace offices at the southeastern corner. A large workspace on the ground floor has sunny outdoor terraces with views both to the new entrance yard and into the garden.

T plan ground floor

From the new entrance yard to the west, you enter the canteen / new entrance hall which flows freely into the old entrance hall . A large glass roof, which spans all the way to the 5th floor, unites the workspaces on each level with the canteen. Shared space for the offices, like kitchenettes / copy- and serverrooms / meeting rooms and silent workrooms, are placed in the structural core, overlooking the indoor courtyard.

T sectionsThe new extension uses the same basic materials as the existing town hall, red bricks (but in the long kolumba format) combined with in-situ concrete and structural glazing. The roof is a publicly accessible stair, which gives everyone access to the spledid view of the marsk, and functions as an amphi with the Tønder town as its stage.

T interior atrium

Motto 13012 Áningarstaður

AS perspective from SThe «bálstofa» attaches itself lightly to the terrain, supported only on poles out into the landscape. The basic shape is slightly dented due to a small promontory in the terrain. The bent shape of the «bálstofa» gives perfect shelter from the prevailing winds, while at the same time opening up towards the sun.

AS concept sketchThe basic shape is given distinctive openings, to facilitate entry and panoramic view, while at each end of the basic shape translucent panels create a bright interior.

AS plan ground floorThe building consist of the «bálstofa» itself, a balcony with overview over Laugarvatn, and toilets and storage facilities. Even in section the shape is bent and optimized so that extra height is given where needed, at the same time the outdoor spaces are given more sun at the peak of day.

AS sectionsThe environmental strategy of the building consists of minimal impact on the site due to reduced landmass shifting and foundations, and due to using wood as the key construction and surface material of the «bálstofa». A structure of wooden ribs that shift slightly position and size gives the organic basic shape – thus using a traditional material with modern high-tech production techniques in a new way. For the outdoor areas natural stone (basalt) and gravel is chosen for its good environmental credentials and abundancy as well.

AS interior perspective

 

The concept should be adaptable to different sites and terrain, therefore the competition proposal also suggested how the concept would be adapted to for instance a flat area.

AS concept flat surface

Summer house at Asmaløy

N perspective from SEThe existing summer house sits on the seaside rocks of Asmaløy at the Hvaler Islands, with a panoramic view over the sea. The house is in original condition, lacking modern amenities of freshwater and sanitary services; thus together with the extension these amenities will be modernized.

N planThere are only slight changes done to the existing summer house, but a new entrance combined with the extension makes for a more efficient kitchen that opens up towards the living room. The new entrance also includes the new bathroom, and from there you can enter both the existing living areas and the new extension.

N sectionsThe extension will facilitate the teenagers of the family, thus this part is clearly separated from the exisiting living areas. The extension also includes a sleeping loft. Apart from that, the extension is a general open space, flexible to changes in the lifestyle and interior needs of the inhabitants.

N perspective from SEThe existing house and extension creates a sheltered north-western corner terrace which is highly appreciated on this rather exposed site as it opens up towards the late evening sun of the summers in the Norway. Placing the extension at the lowest part of the terrain, and using the buildings to create shelter, the need for extra sheltering (for instance windscreens) is reduced, and the environmental impact is kept low.

Annex at Asmaløy

AA perspective from SVThe annex is placed flanking the garden of an existing house. Partially hiding and exposing itself towards the garden, the annex creates its own private space within the forest.

AA site planThe annex is divided into two climatized buildings, the house for sleeping and the house for living, and a terrace inbetween. The annex closes its facades towards the garden and the neighbours, but opens up along its own axis to bring the nature into the complex.

AA planerThe house for sleeping can easily acommodate 4, and up to 8 in an extended family situation. The living and workrooms both face the open terrace, which also functions as the main entrance to the annex. A wine-and-dine cellar, partially opening up vertically to the livingroom, includes the winter kitchen. The summer kitchen is integrated with the spacious entrance terrace.

AA sectionsThe materials for the project are mainly wood or wood based, using a breathing wood construction with woodfibre insulation for the outer walls, and massive wood elements for the inner walls. Naturally weathered silverfir as zeromaintenance facades that blends with the on-site vegetation.

AA perspective from S